Echo Metamorphosed : Narcissus and Twelfth Night
| Autor: | Takikawa, Mutsumu |
|---|---|
| Jazyk: | japonština |
| Rok vydání: | 2021 |
| Předmět: |
metamorphoses
『十二夜、またの名、お好きなように』 Shakespeare シェイクスピア エコー 『月の女神の饗宴、またの名、自己愛の泉』 ブレイゾン ホモエロティシズム self-love Ben Jonson Cynthia’s Revels or The Fountain of Self-Love 『ナルキッソス--十二夜の余興』 分裂の不安 ベン・ジョンソン Twelfth Night or What You Will Narcissus: A Twelfe Night Merriment blazon 変身 自己愛 Echo homoeroticism anxiety of fragmentation |
| Zdroj: | 名古屋大学人文学研究論集. 4:89-104 |
| ISSN: | 2433-233X |
| Popis: | This paper is intended as an investigation regarding the metamorphoses of Echo in early modern English plays: Narcissus: A Twelfe Night Merriment (Narcissus, 1603) and Shakespeare’s Twelfth Night, or What You Will (TN, 1600–01). Narcissus, which was enacted as an imitation of “Yule-tide mummeries” (Lee xiii) at St. John’s College, Oxford, on Twelfth Night, 1603, provides a paradigm in which Eccho, differing from Ovid’s Echo in Metamorphoses (AD 1–8), functions as an agent who “enables characters to respond, to see that love requires echoing instead of narcissism” (Bate 149). While Viola as Echo in TN also impresses upon characters the importance of responsive love, she acts as “bias” (5.1.256) which deflects characters’ passions in unanticipated directions. The blazon as a rhetorical device, which anatomizes the “sweet beauties best” of “ladies dead, and lovely knights” (Sonnet 106, 4–5), arouses a homoerotic and homosocial desire in Narcissus; In TN, Olivia’s anatomy of Viola by virtue of “fivefold blazon” (1.5.285) also reflects a homoerotic desire, however, her anatomy of “sweet beauties best” is deeply associated with the anxiety of fragmentation permeated in this festive comedy. 本論は令和二年度JSPS科学研究費補助金（基盤研究(C)課題番号20K00414）による「近代初期英国演劇におけるホスピタリティー表象の変遷に関する歴史的研究」の研究成果の一部である。 |
| Databáze: | OpenAIRE |
| Externí odkaz: |
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