Imitative Computer-Aided Musical Orchestration with Biologically Inspired Algorithms
| Autor: | Marcelo F. Caetano, Carmine E. Cella |
|---|---|
| Přispěvatelé: | Schulich School of Music & CIRMMT, McGill University = Université McGill [Montréal, Canada], Perception, Représentations, Image, Son, Musique (PRISM), Aix Marseille Université (AMU)-Centre National de la Recherche Scientifique (CNRS), Center for New Music and Audio Technologies (CNMAT), European Project: 831852,MORPH, Centre Interdisciplinaire de Recherche en Musique, Médias et Technologie [Montréal] (CIRMMT), Schulich School of Music [Montréal], McGill University = Université McGill [Montréal, Canada]-McGill University = Université McGill [Montréal, Canada], University of California [Berkeley] (UC Berkeley), University of California (UC), Eduardo Reck Miranda |
| Jazyk: | angličtina |
| Rok vydání: | 2021 |
| Předmět: |
[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts
Computer science Human–computer interaction Formalism (philosophy) [INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD] Computer-aided [INFO]Computer Science [cs] Instrumentation (computer programming) Musical Orchestration (computing) |
| Zdroj: | Handbook of Artificial Intelligence for Music Handbook of Artificial Intelligence for Music, Springer International Publishing, pp.585-615, 2021, ⟨10.1007/978-3-030-72116-9_20⟩ Handbook of Artificial Intelligence for Music 2021. Foundations, Advanced Approaches, and Developments for Creativity Eduardo Reck Miranda. Handbook of Artificial Intelligence for Music 2021. Foundations, Advanced Approaches, and Developments for Creativity, Springer International Publishing, pp.585-615, 2021, 978-3-030-72115-2. ⟨10.1007/978-3-030-72116-9_20⟩ Handbook of Artificial Intelligence for Music ISBN: 9783030721152 Handbook of Artificial Intelligence for Music 2021 Handbook of Artificial Intelligence for Music 2021, Springer International Publishing, pp.585-615, 2021, ⟨10.1007/978-3-030-72116-9_20⟩ |
| Popis: | International audience; Musical orchestration is an empirical art form based on tradition and heritage whose lack of formalism hinders the development of assisstive computational tools. Computer-aided musical orchestration (CAMO) systems aim to assist the composer in several steps of the orchestration procedure. Particularly, imitative CAMO focuses on instrumentation by aiding the composer in creating timbral mixtures as instrument combinations. Imitative CAMO allows composers to specify a reference sound and replicate it with a predetermined orchestra |
| Databáze: | OpenAIRE |
| Externí odkaz: |
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