Ikonografija autoriteta: crkva sv. Brcka na Kalniku i njezin slikarski program
| Autor: | Jelena Duh, Krešimir Karlo |
|---|---|
| Jazyk: | angličtina |
| Rok vydání: | 2019 |
| Předmět: |
Visual Arts and Performing Arts
Kalnik St. Brice medieval architecture medieval wall paintings continental Croatia conservation and restoration research representations of the elite in the Middle Ages Kalnik sv. Brcko srednjovjekovna arhitektura srednjovjekovni zidni oslik kontinentalna Hrvatska konzervatorsko-restauratorska istraživanja prikazi elite u srednjem vijeku sv. Brcko srednjovjekovna arhitektura srednjovjekovni zidni oslik kontinentalna Hrvatska konzervatorsko-restauratorska istraživanja prikazi elite u srednjem vijeku Conservation |
| Zdroj: | Portal : godišnjak Hrvatskoga restauratorskog zavoda Issue 10. |
| ISSN: | 1848-6681 1847-9464 |
| Popis: | U ovom radu predstavljeni su rezultati konzervatorsko-restauratorskih istraživanja i radova izvedenih između 2012. i 2018. godine na crkvi sv. Brcka u Kalniku. Njihova interpretacija donosi nove spoznaje o graditeljskoj genezi crkve, kao i o povijesti, tehnologiji, značenju, donatorima i stilskim obilježjima prvoga slikarskog sloja u lađi crkve, datiranog u kraj 14. stoljeća. Rezultati istraživačkih radova na građevini također se uspoređuju s dosadašnjim tezama i interpretacijama graditeljske povijesti crkve sv. Brcka te se smještaju u kontekst graditeljske aktivnosti na području srednjovjekovne Brezovice (Kalnika) i Kalničke gore u 14. stoljeću. In the context of medieval architecture in continental Croatia, the church of St. Brice in Kalnik is a unique monument, primarily because of the correlation between the wall paintings in the nave and the sanctuary. Over the last six centuries, the church has undergone many changes and extensions. Traces of the structure’s complex architectural history are almost non-existent in written sources, and its reconstruction relies solely on the research and valorisation of both the architectural corpus and the phases of wall paintings in the sanctuary and nave. Centuries of gathering and furthering the knowledge about this unique building, from the first description of the church, in a text by Ivan Kukuljević Sakcinski in 1859, to the latest conservation and restoration, carried out by the Croatian Conservation Institute since 2012, have tried to answer questions about the history and construction of the church, its construction phases, workshops and patrons. The turning point for valorisation was in 1952, when Ana Deanović discovered two series of medieval wall paintings in the church, beneath the damaged 19thcentury wall paintings. The two series of wall paintings have different stylistic, artistic and technological ranges, and are dated to the late 14th and early 16th centuries. New insights from conservation, restoration and archaeological research (2012–2018) require recontextualisation and revalorisation of the existing theories and insights about the church, its function, the purpose of the belfry/tower, and the oldest wall paintings in the nave, as well as their iconography and painting technique. The discovery of damaged wall paintings on the south wall of the nave in 2012, portraying the family of the patron with a Franciscan saint, is analogous to the paintings discovered in 1952. Technical analysis established that the wall paintings were made at the same time, following all the rules of Trecento wall paintings, suggesting that the entire nave was painted with cassettes depicting donors and selected saints. This paper also re-examines assumptions about donors and their social status, as well as interpretations of their portrayal on wall paintings in the church. And finally, in showing the decision-making process on their presentation, the conservation of the wall paintings in the nave has also been presented. |
| Databáze: | OpenAIRE |
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