Martin Greve, Ulaş Özdemir, Raoul Motika, Aesthetic and Performative Dimensions of Alevi Cultural Heritage, Ergon-Verlag, Würzburg, 2020
| Autor: | Erhan TEKİN |
|---|---|
| Rok vydání: | 2020 |
| Předmět: |
Cultural Studies
Materiality (auditing) General Arts and Humanities media_common.quotation_subject Section (typography) Art history Performative utterance Musical Sacred music Art Notation lcsh:History of scholarship and learning. The humanities Cultural heritage lcsh:AZ20-999 lcsh:H1-99 aesthetic and performative dimensions of alevi cultural heritage lcsh:Social sciences (General) media_common |
| Zdroj: | Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi, Iss 96, Pp 619-622 (2020) Volume:, Issue: 96 619-622 Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi |
| ISSN: | 2147-9895 1306-8253 |
| DOI: | 10.34189/hbv.96.027 |
| Popis: | The book, prepared by Raoul Motika, who has been the director of Orient Istanbul for many years, Martin Greve, known for his studies on Dersim music, and Ulas Ozdemir, who has many studies on Alevi music, contributes to international academic studies on Alevism as an internal and external perspective. The book consists of three parts. The headings of the section and the article titles and authors respectively; “Introduction” by Martin Greve, Ulas Ozdemir, Raoul Motika; Part one: Ritual, Body and Aesthetic. First article “The Aesthetics of Contemporary Flame Religious Practice: A Bodily-and-Material Cultures' Approach” by Robert Langer, secondly “The Drinking Dervishes. An Inquiry into Ritual Inebriation in a Bektashi Congregation” by Nicolas Elias, thirdly “Movement and Adaptation of the Alevi Semah for the Stage: From Fellowship Ceremony-Samah to 'We'” by Sinibaldo De Rosa. Second part: Ritual and Musical Performance; first article “The Life of a Ritual Repertoire and its Aesthetic: Cem Ceremonies in Tekke Village, the Village of Abdal Musa” by Jerome Cler, secondly “Miracles and Tears. Religious Music in Dersim / Tunceli” by Martin Greve, third, ‘’ With or Without Baglama? A Religious Aesthetic Debate on 'Music' Performance in Funerals” by Ulas Ozdemir; in the third part: Written Sources of Alevi Cultural Heritage; first article “Ali Ufuḳi’s Notation Collections as Sources for ‘Âsiḳ’ Culture and Literature” by Judith I. Haug, secondly “The Materiality of Alevi Written Heritage: Beautiful Objects, Valuable Manuscripts, and Ordinary Books” by Janina Karolewski and last title Contributors. |
| Databáze: | OpenAIRE |
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