Per una archeologia degli indiscernibili: Danto e i Libri Carolini
| Autor: | Cantelli, C. |
|---|---|
| Jazyk: | angličtina |
| Rok vydání: | 2012 |
| Předmět: |
Libri Carolini
lcsh:Language and Literature lcsh:BH1-301 Image Presence/Likeness lcsh:P ABOUTNESS ADORAZIONE ARTE ARTE DISTURBAZIONALE BELLEZZA BELLEZZA INTERNA CONOSCENZA FINZIONE ICONA IMMAGINE INDISCERNIBILI INVISIBILE MAGIA METAFORA PRESENZA REALTÀ RETORICA RICORDO SOMIGLIANZA TITOLO VENERAZIONE VISIBILE Danto lcsh:Aesthetics |
| Zdroj: | Aisthesis, Vol 4, Iss 1 (2012) |
| ISSN: | 2035-8466 |
| Popis: | Presence and Likeness – two conceptual terms which, according to Arthur Danto, refer to radically different figurative relationships: to the holy image the former, and to the image turned into artwork the latter – are closely intertwined in the doctrine of images issued from the second Council of Nicea and lend the sacred representation a strangely hybrid connotation. In Danto’s terms, one could define it as “ambiguously disturbational” for being an image which, although unable to separate itself completely from the magic-related roots of the post-Justinian icon which had been followed by the first wave of iconoclasm, contains nonetheless in itself the germs that make it potentially capable of leading to a metaphoric-fictional comprehension of its relationship to its own prototype. At the end of the 8th century these germs were seized and developed in the Libri Carolini which set forth a theory of the religious image so akin to Danto’s philosophy of art as to present itself as a sort of ante litteram foreshadowing of that philosophy. Aisthesis. Pratiche, linguaggi e saperi dell’estetico, Vol. 4 No. 1 (2011): L'estetica all'opera. Focus Genette |
| Databáze: | OpenAIRE |
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