Practitioners’ Experience in Clay 3D Printing
| Autor: | Maarit Mäkelä, Flemming Tvede Hansen, Nur Horsanali, Priska Falin |
|---|---|
| Přispěvatelé: | Groth, Camilla, Westerlund, Tina, Almevik, Gunnar, Empirica, The Royal Danish Academy of Fine Arts, Department of Design, Department of Art, Aalto-yliopisto, Aalto University |
| Rok vydání: | 2021 |
| Předmět: |
Experience
Practice Visual Arts and Performing Arts Metaphor business.industry Process (engineering) media_common.quotation_subject 05 social sciences 3D printing Context (language use) 06 humanities and the arts 0603 philosophy ethics and religion Embodied understanding Urban Studies Craft Aesthetics Embodied cognition Clay 3D printing 0502 economics and business 060301 applied ethics Sociology 050207 economics business media_common |
| Zdroj: | FormAkademisk - forskningstidsskrift for design og designdidaktikk. 14 |
| ISSN: | 1890-9515 |
| DOI: | 10.7577/formakademisk.4200 |
| Popis: | In the context of artistic research, making has been traditionally understood as a process between the maker and the material. However, the digitalization that influences all practices brings us new kinds of making processes in which the ‘digital tools’ have a profound impact on the practitioner’s experience – also in the context of art, craft and design. This study explores the maker’s experience from a practice-led approach to understanding the subjective experience with clay 3D printing. To open up the 3D printing process with clay using our embodied understanding, the full process is viewed metaphorically – borrowing from music. The preliminary findings show that metaphorical viewing and the use of a score enables a successful review of the nature of computer-based practices in a way that all aspects and potentials fall naturally into place. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
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