Song and plumage of Guimarães Rosa’s word: nature, cosmos and formativity
| Autor: | Maria Lucia Guimarães de Faria |
|---|---|
| Jazyk: | portugalština |
| Rok vydání: | 2021 |
| Předmět: |
Linguistics and Language
reciprocidade language French literature - Italian literature - Spanish literature - Portuguese literature Literature and Literary Theory reciprocite P1-1091 nature Language and Linguistics Guimarães Rosa natureza reciprocity imaginação linguagem PQ1-3999 Philology. Linguistics imagination langage |
| Zdroj: | Alea: Estudos Neolatinos, Volume: 23, Issue: 3, Pages: 231-248, Published: 10 DEC 2021 Alea: Estudos Neolatinos v.23 n.3 2021 Alea Universidade Federal do Rio de Janeiro (UFRJ) instacron:UFRJ Alea: Estudos Neolatinos, Vol 23, Iss 3, Pp 231-248 (2021) |
| Popis: | RESUMO A prosa de Guimarães Rosa impacta de imediato por seu caráter inovador. É certo que em sua elaboração minuciosa há muito da pesquisa linguística e do investimento formal caros à modernidade artística. Mas a língua de Guimarães Rosa não presta contas essencialmente ao experimentalismo das vanguardas. A palavra rosiana opera uma integração cósmica, que reconcilia o homem com a natureza. Dizer, então, equivale a dar à luz e, neste ato genesíaco, a linguagem absorve o ímpeto metamórfico da natureza, concebida como corpo vivo. ABSTRACT Guimarães Rosa’s fiction immediately strikes the reader for its innovative quality. Its elaborate artistry certainly owes a lot to the linguistic research and the formal refinement dear to modernity. But Rosa’s language doesn’t pay tribute essentially to the experimentalism of the avant-garde. The Rosian word accomplishes a cosmic integration, which reconciles man to nature. Saying is thus equivalent to giving birth and, in this genesis, language absorbs the metamorphic impetus of nature, which is conceived as a living body. RESUMÉ La prose de Guimarães Rosa exerce un fort impact sur le lecteur à cause de son innovation. Dans sa méticuleuse élaboration elle manifeste beaucoup de la recherche linguistique et du raffinement formel chers à la modernité artistique. Mas ce qu’on peut nommer la langue de Guimarães Rosa n’a essentiellement pas de dette avec l’expérimentalisme de l’avant-garde. La parole rosienne parvient à une intégration cosmique qui réconcilie l’homme avec la nature. Dire, en ce cas-là, correspond à donner naissance, et, dans cet acte, le langage incorpore l’élan de métamorphose de la nature, conçue comme un corps vivant. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
|