'Architecture and Freedom', ili: kako su stavovi poprimili formu na Trigonu 69

Autor: Jasna Galjer
Rok vydání: 2021
Předmět:
Trigon 69
“Architecture and Freedom”
architecture exhibition as environment
experimental curatorial practice
conceptualisation of architecture
Trigon 69
"Architecture and Freedom" arhitektonska izložba kao environment
eksperimentalna kustoska praksa
konceptualizacija arhitekture
Ocean Engineering
Zdroj: Ars Adriatica
Issue 11
ISSN: 1848-7459
1848-1590
DOI: 10.15291/aa.3560
Popis: The topic of this paper is the “Architecture and Freedom” exhibition staged in 1969 at Künstlerhaus Graz as a key ex- ample of architectural representation. It was a radical venture into the field of conceptualising architecture, analogous to the contemporary curatorial experiments of Harald Szeemann, who relativised the boundaries between architec- ture, visual media and critique, counterculture, mass media, and conceptual art. Twenty-seven projects by Superstudio, Coop Himmel(b)lau, Hans Hollein, and other protagonists of radical architecture were submitted in response to an open call to design a hypothetical city in the year 2000, illustrating that exhibiting architecture had indeed become a discipline that accommodated a plurality of platforms, strategies, contexts, and actors. Thus, visitors were invited to record their impressions in a computer system, which projected those recordings into the exhibition space. Using the methodological apparatus of architectural history, critical theory, and cultural studies, the article explores the politics of representation and interpretation of architectural space within the framework of experimental curatorial practices. The aim is to contextualise the exhibition within the framework of radical and experimental curatorial practices and to reinterpret the specific ways in which architectural representation narrated specific cultural values.
U tekstu se analizira izložba “Architecture and Freedom” održana 1969. u okviru manifestacije Trigon 69 u Künstlerhau- su (Graz) kao ključni primjer radikalnih tendencija u arhitektonskim izložbama. Polazište je teza o radikalnom pristupu konceptualizacije arhitekture, koji je analogan suvremenim kustosnim eksperimentima Haralda Szeemanna. Zajedničko im je relativiziranje granica između arhitekture, vizualnih medija i kritike, kontrakulture, masovnih medija i konceptual- ne vizualne umjetnosti. Na izložbi je predstavljeno dvadeset i sedam projekata između ostalih grupe Superstudio, Coop Himmel(b)lau, Hansa Holleina i drugih protagonista radikalne arhitekture, koji nude odgovore na temu zadanu natje- čajem; vizije grada 2000. godine, potvrđujući da je izlaganje arhitekture multidisciplinarno područje koje objedinjava brojne platforme, strategije, kontekste i aktere. Tako su posjetitelji pozvani da svoje dojmove zabilježe u računalni sustav koji je te podatke projicirao u izložbeni prostor. Na osnovi metodoloških pristupa povijesti arhitekture, kritičke teorije i kulturalnih studija, u tekstu se analizira politiku reprezentacije i interpretacije arhitektonskog prostora u okviru eksperi- mentalnih kustoskih praksi. Cilj je kontekstualizirati izložbu u okviru radikalnih i eksperimentalnih kustoskih praksi te re- interpretirati specifične načine na koje je arhitektonsko prikazivanje konstruiralo narativ specifičnih kulturnih vrijednosti.
Databáze: OpenAIRE
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