| Popis: |
The narrative turn in the social sciences and humanities has brought about the expansion of narratology to many other scientific and cultural fields. In particular, the theoretical dialogue of the 1990s and 2000s on postclassical narratology as a multidiscipline that, under the influence of new technologies, stepped beyond literary narratives into new media and narrative logic, raised the awareness that narratives in different media and different cultures did not work the same. Given this turn, this paper analyses the transmedia storytelling techniques in the drama John Smith, Princess of Wales (1998), their functions and effects in a broader cultural context. |
