The question of the formation of manuscript production workshops in Iran according to Rashīd al-Dīn Faḍl Allah al-Hamadhānī’s Majmūʿa Rashīdiyya in the Bibliothèque nationale de France
| Autor: | Patricia Roger-Puyo, Nourane Ben Azzouna |
|---|---|
| Přispěvatelé: | Universität Wien, IRAMAT - Centre Ernest Babelon (IRAMAT-CEB), Institut de Recherches sur les Archéomatériaux (IRAMAT), Université d'Orléans (UO)-Centre National de la Recherche Scientifique (CNRS)-Université Bordeaux Montaigne-Université de Technologie de Belfort-Montbeliard (UTBM)-Université d'Orléans (UO)-Centre National de la Recherche Scientifique (CNRS)-Université Bordeaux Montaigne-Université de Technologie de Belfort-Montbeliard (UTBM), Université d'Orléans, SCD |
| Jazyk: | angličtina |
| Rok vydání: | 2016 |
| Předmět: |
Cultural Studies
Rashīd al-Dīn Faḍl Allah al-Hamadhānī Visual Arts and Performing Arts [SHS.LITT]Humanities and Social Sciences/Literature Majmūʿa Rashīdiyya media_common.quotation_subject 0507 social and economic geography 050701 cultural studies [SHS.LITT] Humanities and Social Sciences/Literature Manuscript production workshop Spectrometric analyses [CHIM] Chemical Sciences [CHIM]Chemical Sciences 0601 history and archaeology Decoration process Relation (history of concept) media_common 060102 archaeology 05 social sciences Kitāb-khānah 06 humanities and the arts Art Compendium Style (visual arts) Illumination Ilkhanid [SHS.HIST] Humanities and Social Sciences/History [SHS.HIST]Humanities and Social Sciences/History Humanities Classics |
| Zdroj: | Journal of Islamic Manuscripts Journal of Islamic Manuscripts, Brill, 2016, 7 (2), pp.152-194 |
| ISSN: | 1878-464X 1878-4631 |
| Popis: | International audience; In his main charitable foundation, the Rabʿ-i Rashīdī, near Tabriz, Rashīd al-Dīn Faḍl Allah al-Hamadhānī (ca. 645-648–718/1247-1250–1318) set up a manuscript production workshop in order to produce regular copies of the Qurʾān, a collection of Ḥadīth and his own works. This article addresses the question of whether this workshop can be identified as a kitāb-khānah. It focuses on the earliest preserved manuscript that was most likely produced in, or in relation to the Rabʿ-i Rashīdī: the compendium of four theological books titled Majmūʿa Rashīdiyya (The Compendium of Rashīd al-Dīn), dated to 707–710/1307–1311 (Bibliothèque nationale de France, Arabe 2324). This large-scale and lavishly illuminated volume is submitted to a detailed stylistic and spectrometric analysis. Unlike previous works where style and technique, especially pigments, are usually studied independently, this article proposes a new, unprecedented approach where both dimensions are examined in close connection in an attempt to reconstruct the manuscript’s decoration process and the type of organization that lies behind it. |
| Databáze: | OpenAIRE |
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