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Heidrun Hamersky: Störbilder einer Diktatur. Zur subversiven fotografischen Praxis Ivan Kyncls im Kontext der tschechoslowakischen Bürgerrechtsbewegung der 1970er Jahre Lida Oukaderova: The Cinema of The Soviet Thaw: Space, Materiality, Movement Lilya Kaganovsky: The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928-1935 Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine Film Leaflet (1976-1979) Ewa Ciszewska and Mikolaj Góralik (ed.): Polsko-czeskie i polsko-słowackie kontakty filmowe Autobiographical Documentarism and Intertextuality in Ante Babaja’s Dobro jutro Enhanced Documents of a Past Future: Re-interpretation of the Soviet History of Spaceflight in Contemporary Russian Blockbusters Interdisciplinary Perspectives on Fictional Worlds: A Reflexive Report from The XIV Prague Interpretation Colloquium Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory Early Russian Film Prose. Online Research Team Project Alexander Burry and Frederick H. White (ed.): Border Crossing: Russian Literature into Film Introducing Fiction in Central and Eastern European Film Theory and Practice The NECS Conference in Gdańsk, 2019. The Network for Cinema and Media Studies Goes Back to Eastern Europe Thirty Years after the Downfall of Communism |
