Radical Women, Past and Present
| Autor: | Charlotte Foucher Zarmanian |
|---|---|
| Přispěvatelé: | Laboratoire d'Etudes de Genre et de Sexualité (LEGS), Centre National de la Recherche Scientifique (CNRS)-Université Paris Nanterre (UPN)-Université Paris 8 Vincennes-Saint-Denis (UP8) |
| Rok vydání: | 2020 |
| Předmět: |
History
media_common.quotation_subject Carve out General Engineering Still life Limiting [SHS.ART]Humanities and Social Sciences/Art and art history Art world Portrait Aesthetics Agency (sociology) [SHS.GENRE]Humanities and Social Sciences/Gender studies ComputingMilieux_MISCELLANEOUS Order (virtue) Reputation media_common |
| Zdroj: | Critique d'art Critique d'art, Archives de la critique d’art (ACA), 2020 |
| ISSN: | 2265-9404 1246-8258 |
| DOI: | 10.4000/critiquedart.62031 |
| Popis: | For centuries, in order to be able to carve out a place for themselves in the art world, women had to submit to propriety, expectations and assumptions: some of them established their reputation in the still life genre, others produced watercolours or children’s portraits, and many had to work as models before they could become artists. Although there is no question of castigating women for their docility or limiting their agency, it is impossible to deny that the artifices they were forced t... |
| Databáze: | OpenAIRE |
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