Listening to the landscape. For an ecosophic aesthetic
| Autor: | Roberto Barbanti |
|---|---|
| Přispěvatelé: | Arts des Images et Art Contemporain (AIAC), Université Paris 8 Vincennes-Saint-Denis (UP8), Shtalbi, Haki |
| Jazyk: | angličtina |
| Rok vydání: | 2018 |
| Předmět: |
Soundscape
Fifteenth Literature and Literary Theory Visual Arts and Performing Arts media_common.quotation_subject Art [SHS.ART]Humanities and Social Sciences/Art and art history [SHS]Humanities and Social Sciences Ecosophy Aesthetics Active listening [SHS.ART] Humanities and Social Sciences/Art and art history [SHS] Humanities and Social Sciences ComputingMilieux_MISCELLANEOUS media_common |
| Zdroj: | Paragraph Paragraph, Edinburgh University Press, 2018, “Soundings and Soundscapes” Sarah Kay et François Noudelmann, eds |
| ISSN: | 0264-8334 1750-0176 |
| Popis: | Listening to the landscape means hearing the world differently, this article contends. Since its theorization in the pictorial figuration of the fifteenth and sixteenth centuries, landscape has been conceived as a spatial extent delimited by the gaze of a spectator. In the late 1960s a more complex and sensitive approach to landscape, including reflection on its sound and acoustic aspects, began to emerge. Despite this new focus, a certain oculo-centrism still persists. The ecosophical approach — which complicates and goes beyond the antitheses of subject/object, ethics/aesthetics, nature culture — that is put forward here promotes a new aesthetic dimension focused on listening. Based on the notions of presence, holism and non-separation, this approach makes it possible to combine the individual and the collective imagination with social relations and natural processes. |
| Databáze: | OpenAIRE |
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