Acoustic Analyses of the Singing Vibrato in Traditional Peking Opera
| Autor: | Ruifeng Zhang, Qichao Han |
|---|---|
| Rok vydání: | 2016 |
| Předmět: |
Male
China History Opera Culture Singing Speech Acoustics Vibrato 030507 speech-language pathology & audiology 03 medical and health sciences Speech and Hearing Young Adult 0302 clinical medicine Humans 030223 otorhinolaryngology Literature Communication business.industry Respiration Middle Aged LPN and LVN Otorhinolaryngology Female 0305 other medical science business |
| Zdroj: | Journal of voice : official journal of the Voice Foundation. 31(4) |
| ISSN: | 1873-4588 |
| Popis: | China's traditional Peking Opera has four standard categories of roles: Sheng, Dan, Jing, and Chou, the singing vibrato of each displaying a different auditory effect. The audio and respiratory signals were recorded for two performers of the Qing Yi role, one of the Jing role, one of the Chou role, one of the Lao Sheng role, one of the Xiao Sheng role, and one of the Lao Dan role. The recordings gained eventually consisted of 24 representative songs from six roles. The rates and extents of vibrato, fundamental frequency, and rib cage signals were analyzed. Two findings were obtained: (1) the classical opera singing vibratos of China and Western countries are acoustically different from each other; and (2) in Peking Opera, the singing vibratos of different roles show significant acoustic differences. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
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