The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments
| Autor: | James Leonard, Annie Luciani, Claude Cadoz, Nicolas Castagné |
|---|---|
| Přispěvatelé: | ACROE - Ingénierie de la Création Artistique (ACROE-ICA), Ministère de la Culture et de la Communication (MCC)-Institut National Polytechnique de Grenoble (INPG), Stefano Papretti and Charalampos Saitis, Luciani, Annie |
| Rok vydání: | 2018 |
| Předmět: |
Formalism (philosophy)
Computer science Computation 05 social sciences Work (physics) 06 humanities and the arts Musical [INFO.INFO-MO]Computer Science [cs]/Modeling and Simulation [INFO.INFO-SD] Computer Science [cs]/Sound [cs.SD] 060404 music Coupling (computer programming) Transmission (telecommunications) Human–computer interaction [INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD] 0501 psychology and cognitive sciences Relevance (information retrieval) [INFO.INFO-MO] Computer Science [cs]/Modeling and Simulation [INFO.INFO-HC]Computer Science [cs]/Human-Computer Interaction [cs.HC] [INFO.INFO-HC] Computer Science [cs]/Human-Computer Interaction [cs.HC] ComputingMilieux_MISCELLANEOUS 050107 human factors 0604 arts Haptic technology |
| Zdroj: | Springer Series on Touch and Haptic Systems ISBN: 9783319583150 Musical Haptics Stefano Papretti and Charalampos Saitis. Musical Haptics, Springer, pp.151-169, 2018 |
| Popis: | This chapter presents recent work concerning physically modelled virtual musical instruments and force feedback. Firstly, we discuss fundamental differences in the gesture–sound relationship between acoustic instruments and digital musical instruments, the former being linked by dynamic physical coupling, the latter by transmission and processing of information and control signals. We then present an approach that allows experiencing physical coupling with virtual instruments, using the CORDIS-ANIMA physical modelling formalism, synchronous computation and force-feedback devices. To this end, we introduce a framework for the creation and manipulation of multisensory virtual instruments, called the MSCI platform. In particular, we elaborate on the cohabitation, within a single physical model, of sections simulated at different rates. Finally, we discuss the relevance of creating virtual musical instruments in this manner, and we consider their use in live performance. |
| Databáze: | OpenAIRE |
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