Режисерські інновації у використанні технічних засобів і технологій у сценічному мистецтві
| Autor: | Viktoriia Strelchuk, Yuliia Chubukova, Kateryna Iudova-Romanova |
|---|---|
| Jazyk: | angličtina |
| Rok vydání: | 2019 |
| Předmět: |
lcsh:Fine Arts
business.industry Information technology Scientific literature Musical Modernization theory сценічне мистецтво мультимедійні технології Structuring Modern language інтерактивність Interactivity Embodied cognition Aesthetics режисерські інновації технологічні засоби Sociology lcsh:N business |
| Zdroj: | Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво, Vol 2, Iss 1, Pp 52-72 (2019) |
| ISSN: | 2617-1236 |
| Popis: | The purpose of the study is to identify and analyze directorial innovations in the use of technical means and technologies in the staging of both new and traditional forms. The following methods have been used to achieve this goal: theoretical approach is for the scientific literature study; analytical and comparative are to determine the influence of the technological component on the directing of contemporary works of stage art; systematic is for the structuring of new genres of stage art, the emergence of which is due to the introduction of modern technical means, engineering and information technology; prognostic is to identify new trends in the directing of stage art works. The scientific novelty consists in an art-study analysis of the modernization of the stage space and the study of the innovative technical means role and technologies in the directing of stage art contemporary works. Conclusions. In the XXI century the evolution of theatrical mass sights is under the influence of the technology active development and the search for new ways of interactivity. A feature proper to modern directorial decisions is the synthesis of literary, musical, choreographic, and scenographic components, which are embodied in various stage venues, modernization of which is noticeable both in terms of materials used, functionality, mobility, and in relation to the introduction of the latest information computer and engineering technologies. The multimedia approach has become one of the leading creative and technological methods of creating a contemporary theatrical spectacle. The proliferation of immersion theaters and the introduction of audio descriptions methods have proved that contemporary directors use technology in a very versatile way, and creative forms of search enable the modern language to translate the super-task. Mobility, visibility, brightness, innovation, orientation to each of the spectators with the active participation of the latter in the action are the main areas of creative search for directors. |
| Databáze: | OpenAIRE |
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