MUSEUM DIVERSITY THROUGH THE LENS OF THE KYOTO DEFINITION
| Autor: | François Mairesse |
|---|---|
| Rok vydání: | 2020 |
| Předmět: |
new museology
lcsh:Museums. Collectors and collecting media_common.quotation_subject ICOFOM 05 social sciences Museology 050301 education Environmental ethics Conservation Through-the-lens metering postcolonial studies ICOM 0502 economics and business Sociology museum definition 0503 education 050212 sport leisure & tourism lcsh:AM1-501 Diversity (politics) media_common |
| Zdroj: | Muzealnictwo, Vol 61, Pp 75-79 (2020) |
| ISSN: | 2391-4815 0464-1086 |
| DOI: | 10.5604/01.3001.0014.1605 |
| Popis: | The author analyses the logic underlying the ICOM museum definition process and the sense of continuity among the different definitions, since its creation in 1946. The new definition proposed in Kyoto in 2019 (during the ICOM General Conference, 1–7 September) created a risk of breaking within this continuity and the museum community. The definition process is here put in parallel with the notion of mission statement, associated with strategic management, and the value system linked to a resolutely activist vision of the museum, integrating such topics as gender, postcolonialism, sustainable development or human rights. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
|