Del sonido corralero al merequetengue: glocalidad, localidad regional y translocalidad musical en la Costa Chica de México
| Autor: | Carlos Ruiz-Rodríguez |
|---|---|
| Rok vydání: | 2021 |
| Předmět: |
Industria musical
vocabularies.unesco.org/thesaurus/concept418 [http] Music trade Glocalidad Social Sciences Musical afrodescendiente Charangas Ethnic groups id.loc.gov/authorities/subjects/sh2014001700 [http] Forge Afrodescendants Mexico city Grupos musicales Grupo étnico Musical forms id.loc.gov/authorities/subjects/sh99014995 [http] education.field_of_study vocabularies.unesco.org/thesaurus/concept4347 [http] General Medicine id.loc.gov/authorities/subjects/sh99001945 [http] Geography Afrodescendiente Forma musical Economics of culture Rural population id.loc.gov/authorities/subjects/sh85045172 [http] Population Industrias culturales Industria cultural glocalidad Musical groups vocabularies.unesco.org/thesaurus/concept11083 [http] Cultural industry Formas musicales Musical form Afrodescendientes id.loc.gov/authorities/subjects/sh99004266 [http] vocabularies.unesco.org/thesaurus/concept4127 [http] Translocalidad education Economía de la cultura charanga Charanga Merequetengue Grupos étnicos id.loc.gov/authorities/subjects/sh85088959 [http] Z1 Cultural economics People of African descent Cultural industries translocalidad id.loc.gov/authorities/subjects/sh85088944 [http] Humanities Music merequetengue Música |
| Zdroj: | Revista CS, Iss 34 (2021) Repositorio ICESI Universidad ICESI instacron:Universidad ICESI |
| ISSN: | 2665-4814 2011-0324 |
| DOI: | 10.18046/recs.i34.4308 |
| Popis: | espanolEn los anos sesenta del siglo XX, agrupaciones musicales provenientes de la sonoridad corralera de la costa caribena colombiana hicieron giras en Mexico. Su influencia propicio el surgimiento de algunas agrupaciones locales en la franja costena afrodescendiente del sur de Mexico, llamada Costa Chica. Uno de estos grupos, Mar Azul, colaboro a fraguar el llamado merequetengue, generico musical que fungio como vehiculo identitario y amasijo de una estetica propia, dando cuenta de procesos glocales y de una marcada localidad regional. La importancia que adquirio esta agrupacion derivo, mas tarde, en procesos translocales, al formar parte sustancial de la vida musical de la poblacion costena migrante, tanto en la Ciudad de Mexico como en varios estados de los EE. UU. El presente escrito analiza estos procesos –que evidencian relaciones Sur-Sur entre poblaciones rurales afrodescendientes–, mediante las nociones de glocalidad, localidad regional y translocalidad musical. EnglishToward the end of the 60s musical groups with origins in the corralero sound from the Colombian Caribbean coast made several tours in Mexico. Their influence led to the emergence of local groups in the Afro-descendant coastal strip of Costa Chica in southern Mexico. One of these groups, Mar Azul, collaborated to forge the so-called merequetengue, a music genre that served as an identity vehicle and a mixture of local aesthetics, evidencing glocal processes and regional locality. Later on, the importance this group acquired led to translocal processes, as it became a substantial part of the musical life of the migrant coastal population, both in Mexico City and in several states of the USA. This paper analyzes these processes –which show South-South relations between Afro-descendant rural populations- making use of the notions of glocality, regional locality, and musical translocality. |
| Databáze: | OpenAIRE |
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