| Popis: |
This paper explores two contexts for Francis Skidmore and George Gilbert Scott's screen at Hereford Cathedral. First, it locates the screen within a succession of choir screens at Hereford from the middle ages to the present, thereby charting the typology of the choir screen within a single institutional context. Second, it shows that Skidmore and Scott's work at Hereford should be understood in light of their related work at Lichfield and Salisbury, and that, more distantly, the three buildings were subject to significant "improvements" in the eighteenth century that Scott and Skidmore's work was intended to erase. |
