Axes of Tension: Navigating craft, institution and industry as an art-researcher in film and new media
Autor: | Camilla Jaller, Nadja Lipsyc, Frederick Howard |
---|---|
Rok vydání: | 2020 |
Předmět: |
Affiliation
Visual Arts and Performing Arts ARTISTIC CREATION Tension (physics) Communication media_common.quotation_subject Production PRODUÇÃO CINEMATOGRÁFICA AUDIOVISUAL Collaboration NEW MEDIA Authorship New media Visual arts Craft NOVOS MEDIA FILM PRODUCTION INDÚSTRIA AUDIOVISUAL Institution VDP::Samfunnsvitenskap: 200 Speculation Sociology AUDIOVISUAL INDUSTRY CRIAÇÃO ARTÍSTICA media_common |
Zdroj: | International Journal Film New Media (IJFMA) Lipsyc, N, Jaller, C & Howard, F 2020, ' Axes of Tension : Navigating craft, institution and industry as an art-researcher in film and new media ', International Journal of Film and Media Arts, vol. 5, no. 2, pp. 9-26 . https://doi.org/10.24140/ijfma.v5.n2.01 Repositório Científico de Acesso Aberto de Portugal Repositório Científico de Acesso Aberto de Portugal (RCAAP) instacron:RCAAP |
ISSN: | 2183-9271 |
DOI: | 10.24140/ijfma.v5.n2.01 |
Popis: | Artistic Research (AR) in collective, industrial arts can find itself to be an intense balancing act: film and new media are expensive forms that rely on commercial expectations and industrial integration, while artistic experimentation flourishes in independence and creative freedom.Transposing the model of the independent artist to large-scale collective productions challenges our vision of art, affiliation andintegrity.AR researchers in film and new media can have radically different practices: from industrial creative producers to one-personcamera documentarists, from VR designers to screenwriters and 3D artists. While our potential for creation and innovation issimilar, our expectations and abilities are as diverse as the cost of our projects.Our contribution spans questions of affiliation, authorship, production and speculation, with the aim to bring clarification onwhat can be expected for and of diverse AR researchers in film and new media, and to promote the concrete establishment ofappropriate support and supervision. |
Databáze: | OpenAIRE |
Externí odkaz: |