Non-destructive analysis of pigments in a triptych by Marten de Vos
Autor: | Anabelle Kriznar, Valme Muñoz, Kilian Laclavetine, Mercedes Vega, Miguel Ángel Respaldiza |
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Přispěvatelé: | Junta de Andalucía, Ministerio de Ciencia e Innovación (España) |
Rok vydání: | 2015 |
Předmět: |
Pigments
Chemistry Azurite 010401 analytical chemistry 16th century Non-destructive analysis 010402 general chemistry Under-drawings 01 natural sciences Archaeology Atomic and Molecular Physics and Optics 0104 chemical sciences Analytical Chemistry Marten de Vos Pigment Infrared reflectography visual_art Non destructive Inorganic pigments Ultraviolet light visual_art.visual_art_medium Vermilion Umber Spectroscopy |
Zdroj: | Digital.CSIC. Repositorio Institucional del CSIC instname |
ISSN: | 1532-2289 0038-7010 |
DOI: | 10.1080/00387010.2015.1061018 |
Popis: | The Fine Arts Museum in Seville conserves an especially wide group of paintings from the 16th century Spanish art, among which one of the highest importance is a triptych attributed to Marten de Vos. One of the panels was recently restored, which opened a possibility for its material and technical analysis. For this research, only non-destructive techniques have been used: ultraviolet light, infrared reflectography, and X-ray fluorescence. The ultraviolet exam showed wide areas of later interventions, which were confirmed by X-ray fluorescence results. By infrared reflectography it was possible to observe under-drawings and some pentimenti. The X-ray fluorescence results identified inorganic pigments, common for that period of time: lead white, yellow, and red ochres, lead¿tin yellow, vermilion, a green copper based pigment, azurite, smalt as De Vos's basic blue pigment, umber, and an organic black pigment, probably bone black. We acknowledge the financial support of the Project of Excellence P09-HUM-4544 by Junta de Andalucia and Juan de la Cierva contract (MICINN). |
Databáze: | OpenAIRE |
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