Autor:	Török Ervin
Rok vydání:	2022
Předmět:	06.02. Nyelvek és irodalom
Zdroj:	Disegno. 6:120-124
ISSN:	2416-156X 2064-7778
DOI:	10.21096/disegno_2022_1et
Popis:	Jonathan Rozenkrantz’s book, Videographic Cinema analyses the now obsolete medium of video from a refreshing and exciting perspective. The book focuses primarily on the emergence of analogue video images in theatrically released feature films. Rozenkrantz’s approach to the archaeology of video images is carefully balanced between the refusal of ontological idealism on the one hand (exemplified by works of André Bazin and D. N. Rodowick, among others), and on the other, the refusal of the reduction of video images to mere textual signifiers.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_dedup___::85db28cb5e850a8c7efc2c40fbacdb97 https://doi.org/10.21096/disegno_2022_1et Zobrazit plný text záznamu