How old are Australia's pictographs? A review of rock art dating
Autor: | Jean-Jacques Delannoy, Jean-Michel Geneste, Fiona Petchey, Mark Eccleston, Bryce Barker, Bruno David |
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Přispěvatelé: | School of Geography and Environmental Science, Monash University, Monash University [Clayton], De la Préhistoire à l'Actuel : Culture, Environnement et Anthropologie (PACEA), Université de Bordeaux (UB)-Centre National de la Recherche Scientifique (CNRS), Radiocarbon Dating Laboratory, University of Waikato, University of Waikato [Hamilton], Environnements, Dynamiques et Territoires de la Montagne (EDYTEM), Centre National de la Recherche Scientifique (CNRS)-Université Savoie Mont Blanc (USMB [Université de Savoie] [Université de Chambéry]), Public Memory Research Centre, School of humanities and Communication, University of Southern Queensland, University of Southern Queensland (USQ), Aboriginal Affairs Victoria, Dept of Planning & Community Development, Victorian Government |
Rok vydání: | 2013 |
Předmět: |
010506 paleontology
Archeology History 060102 archaeology Pleistocene Australia Modernism (music) Rock art dating 06 humanities and the arts Ancient history 01 natural sciences Pictogram Pictographs 0601 history and archaeology Rock art Archaeology of symbolism Holocene 0105 earth and related environmental sciences |
Zdroj: | Journal of Archaeological Science Journal of Archaeological Science, Elsevier, 2013, p.3-10 |
ISSN: | 0305-4403 1095-9238 |
DOI: | 10.1016/j.jas.2012.08.019 |
Popis: | International audience; Australia contains some of the world's richest and apparently longest traditions of rock pictographs. Dating this art, however, has been problematic, with few 'direct' and reliable dates of Pleistocene or early Holocene age having been obtained from visible, representational imagery. This paper critically reviews the evidence for the antiquity of pigment rock art in Australia by examining the various dating techniques employed. The accurate and reliable dating of rock art worldwide is crucial to understanding the evolution of modern human symbolism and whether cognitive modernism came about after, rather than with, the first signs of full biological modernism; understanding the pitfalls and devising proper methods are crucial prerequisites. Towards these ends, this paper reviews the results and techniques that have been employed to date the apparently earliest known pictographs in Australia. |
Databáze: | OpenAIRE |
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