Ritus et consuetudo almae ecclesiae zagrabiensis: Nova otkrića o glazbi Zagrebačke biskupije u srednjemu vijeku

Autor:	Breko Kustura, Hana
Rok vydání:	2022
Předmět:	Religious studies Zagreb Zagrebačka biskupija liturgijska glazba gregorijansko pjevanje Ostrogonski gradual 15./16. stoljeće Graduale Strigoniense Gradual Arhiva HAZU III. d.182 Diocese of Zagreb liturgical music Gregorian chant Esztergom gradual 15/16 century Gradual of HAZU Arhive III. d.182
Zdroj:	Crkva u svijetu : Crkva u svijetu Volume 57 Issue 4
ISSN:	1848-9656 0352-4000
DOI:	10.34075/cs.57.4.4
Popis:	Cilj je ovog rada ukazati na nove spoznaje o glazbeno-liturgijskim izvorima Zagrebačke biskupije, koji predstavljaju vrelo za proučavanje glazbenih varijanti napjeva gregorijanskog pjevanja Crkve zagrebačke u srednjemu vijeku. Hrvatski i mađarski muzikolozi posljednjih su desetljeća, a poglavito od 2017. naovamo, uočili niz znakovitih novih obilježja koja zagrebačke liturgijske knjige u 15. i 16. stoljeću obogaćuju s nekoliko “novih izvora”, koji su do sada (doduše) bili znani, ali nisu provenijencijom bili uvršteni u repertoarni kontekst glazbenih izvora srednjovjekovne Zagrebačke biskupije. Autorica ukazuje na promjenu “destinacije” nekadašnjeg Ostrogonskoga graduala (Graduale Strigoniense) iz 15./16. stoljeća, koji svojim karakteristikama postaje “zagrebački” glazbeni kodeks, te upućuje na gradual Arhiva HAZU III. d. 182 iz 15. stoljeća, čija je recentna analiza pokazala da je doista bio u uporabi u katedrali u Zagrebu tijekom dugoga srednjeg vijeka, ali i stoljećima nakon toga. The aim of this paper is to point out new research results about the musical and liturgical sources of the diocese of Zagreb, which represent valuable manuscripts for the study of musical variants of the Gregorian chant of this region, during the Middle Ages. In recent decades, and especially since 2017, Croatian and Hungarian musicologists have noticed a number of significant new insights that enrich the Zagreb liturgical practice and its profile in the 15th and 16th centuries. Several “new sources” have been known so far. However, they were not included in the repertoire context of the musical sources from Zagreb. The author points to the change of the “destination” of the former Esztergom gradual (Graduale Strigoniense) from 15/16 century. Now it is evident that the “strange elements” in its musical repertoire belong to the bishopric of Zagreb. We find the same features in the Gradual kept today in the Archive of the Croatian Academy of Sciences and Arts (HAZU), Manuscript III. d. 182, from the 15th century, whose recent analysis showed that it was indeed meant and used in the liturgical music of the cathedral in Zagreb even centuries after it was produced in Zagreb scriptorium.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7f65976ab8c1c620116d413c0bd77d14 https://doi.org/10.34075/cs.57.4.4 Zobrazit plný text záznamu Plný text ve formátu PDF