Musique populaire dans le monde capitaliste : vers une sociologie de l'authenticité

Autor:	Larry Portis
Rok vydání:	1997
Předmět:	Subordination (linguistics) Politics Popular music Expression (architecture) Aesthetics General Social Sciences Social environment Musical Sociology Capitalism Humanities
Zdroj:	L Homme et la société. 126:69-86
ISSN:	0018-4306
DOI:	10.3406/homso.1997.2916
Popis:	Larry Portis, Popular Music and Capitalism : Towards a Sociology of Authenticity Music has an important place in the evolution of capitalist societies in adapting its rhythms, its cadences and the expression of themes which reflect emotional needs in a changing social environment. A sociology of popular music must therefore consider musical sensibilities and tendencies from both aesthetic and political points of view. Nowhere have musical cultures resisted entirely the powerful influence of African-American music, the result of marketing strategies and of cultural fascination. The notion of authenticity is central in the process of subordination and revolt in industrial-capitalist societies. Portis Larry. Musique populaire dans le monde capitaliste : vers une sociologie de l'authenticité. In: L'Homme et la société, N. 126, 1997. Musique et société. pp. 69-86.
Databáze:	OpenAIRE
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