Akshara transcription of mrudangam strokes in Carnatic music
| Autor: | Jom Kuriakose, Hema A. Murthy, J Chaitanya Kumar, Padi Sarala, Umayalpuram K Sivaraman |
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| Rok vydání: | 2015 |
| Předmět: | |
| Zdroj: | NCC Recercat. Dipósit de la Recerca de Catalunya instname |
| Popis: | Percussion instruments play a significant role in/nCarnatic music concerts. The percussion artist enjoys a great/ndegree of freedom in improvising within the defined tala/nstructure/nof a composition. The objective of this paper is to transcribe the/nimprovisations, treating the percussion strokes as syllables or/naksharas./nOnset detection is performed to segment the waveform at/neach/nakshara/n. Using the transcriptions from the training data,/na three-state Hidden Markov Model is built for each/nakshara/n./nThe language model is derived from the training data. Testing/nis also performed isolated style using onset detection to segment/nthe phrase, and the language model to correct the transcription./nTranscription is performed on both concert recordings and studio/nrecordings. This technique yields upto/n≈/n96%/naccuracy on studio/nrecordings and/n≈/n76%/naccuracy for concert recordings./nAs the mrudangam/n1/nis an instrument that is based on tonic;/ntonic normalised features, namely, Cent Filterbank Cepstral/ncoefficients are used. It is shown that tonic normalisation helps/nin transcription across different tonics. This research was partly funded by the European Research/nCouncil under the European Unions Seventh Framework Pro-/ngram, as part of the CompMusic project (ERC grant agreement/n267583). |
| Databáze: | OpenAIRE |
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