| Popis: |
In order to examine the relationship between Dante and the early Italian lyric, this chapter focuses on two key moments of Dante’s rewriting of his own story as lyric poet: first in the Vita nuova, which traces the relationship to fellow poet Guido Cavalcanti, and second in the encounters with Bonagiunta da Lucca and Guido Guinizzelli in Purgatorio XXIV and XXVI, which redefine the roles of the major poets of the past generation. These passages are less ambiguous than has often appeared: they doubtless intend to promote Dante’s poetic choices and literary authority, but they also testify to objective developments in the history of vernacular love poetry. |
