| Popis: |
The poem named “Poema de sete faces”, by Carlos Drummond de Andrade has been paraphrasing and parodied since his publication. Recently, the Brazilian singer Caetano Veloso released the song “Anjos Tronchos” in his new album Meu Coco (2021), this song is a re-reading of the famous work of Drummond. The actuality of the composition directly dialogues with the poem, besides to bring other intertexts that made the song a sharp criticism of the actuality way of life, the social media influence and his domination under human beings, but without forgetting the benefits of the internet. As an artistic expression the poem and the song have no compromise in portraying the real, that's why both arts can be faithful with their story. This research tries to investigate the actuality of the song in comparison with the poem and his time, through an inter(trans)text interpretation, non restrictive, also considering the Umberto Eco theory in Os Limites da Interpretação , jointly with theorists as Octávio Paz, Affonso Romano de Sant'Anna and Antonio Cândido. The topic will be analyzed from a sociological and historical point of view by theorists as Wécio Pinheiro Araujo and Shoshana Zuboff. |
