Deconstruction, legibility and space: Four experimental typographic practices
| Autor: | Onur Fatih Yazıcıgil, Elif Ayiter, Doruk Türkmen, Sina Cem Çetin |
|---|---|
| Rok vydání: | 2013 |
| Předmět: |
Architectural engineering
Visual Arts and Performing Arts Computer science N7433.8-.85 Computer art. Digital art ComputerApplications_COMPUTERSINOTHERSYSTEMS N Visual arts (General) For photography see TR Space (commercial competition) Viewpoints Legibility Computer Science Applications Visual arts Human-Computer Interaction Philosophy Deconstruction (building) Typography ComputingMethodologies_DOCUMENTANDTEXTPROCESSING Implementation NC Drawing Design Illustration Meaning (linguistics) |
| Zdroj: | Technoetic Arts. 11:209-220 |
| ISSN: | 1758-9533 1477-965X |
| DOI: | 10.1386/tear.11.3.209_1 |
| Popis: | In this article we wish to present the typographic experimentations of four designers, each of whom looks at typography and its implementations from different viewpoints; however with similar goals – namely to investigate how typographic systems can be implemented, their attributes as carriers of semantic meaning be redefined, and/or their functions be improved upon within the digital medium that presents challenges as well as opportunities that enable graphic designers to reach well beyond the traditional medium of typographic work; i.e., printed paper. The article will examine these four projects under the umbrella concept of Deconstruction, also extending into a consideration of Legibility; setting them forth as examples of the impact that the digital medium has brought to bear upon typographic practice in recent decades. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
|