Concerted Creativity in the Digital Age:How do we Crack the Code…?
| Autor: | Lene Tanggaard, Dan Lund Hvidtfeldt |
|---|---|
| Jazyk: | angličtina |
| Rok vydání: | 2018 |
| Předmět: |
Cultural Studies
Adult Male Social Psychology media_common.quotation_subject 050109 social psychology Performative utterance Musical Emergence Creativity Concerted creativity Situated Openness to experience Humans Socio-materiality 0501 psychology and cognitive sciences Sociology Applied Psychology media_common Materiality (auditing) Cultural psychology Conceptualization Communication 05 social sciences 050301 education Philosophy Ethnopsychology Aesthetics Anthropology 0503 education Music |
| Zdroj: | Hvidtfeldt Larsen, D L & Pedersen, L T 2018, ' Concerted Creativity in the Digital Age : How do we Crack the Code…? ', Integrative Psychological & Behavioral Science, vol. 52, no. 4, pp. 630-645 . https://doi.org/10.1007/s12124-018-9451-9 |
| DOI: | 10.1007/s12124-018-9451-9 |
| Popis: | The purpose of the present article is to contribute to the development of a socio-material, situated conceptualization of creativity, in exploring music making as it becomes meaningful in performative emergence processes of the digital age. It uses the creative practices of musicians to analyse and discuss the qualities of ‘digital materials’ in a creative setting, today very often playing a critical role in the production and performance of music. Methodologically, the analysis is based on interviews with professional musicians performing at Roskilde Festival and observations inspired by the autoethnographic approach. The study concludes that creative musical emergence in performance situations of the digital age depends on an openness towards a fragility, imperilling the situation and ‘cracking’ the digital materiality. |
| Databáze: | OpenAIRE |
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