| Popis: |
The history of long-term relations between Mykhailo Pavlyk and Lesia Ukrainka on the basis of mutual epistolary is highlighted in the article. In particular, the attention is brought to various facts of their creative and socio-political cooperation. The multi-vector contacts of friends reconstructed through correspondence demonstrate their mindset evolution, creative ideas, ideological convictions, psychoconstitution and life axiology, and on the other hand reflect the political processes and political parties situation in Galicia and the Naddnipryanshchyna. To explain this theme biographical, contact, cultural and historical method based on archival sources, correspondence and memoirs have been used. Lesya Ukrainka’s acquaintance with M. Pavlyk began in February 1891, when she and her mother stopped in Lviv on the way to Vienna. Since then, their intensive correspondence began, which lasted with some pauses during 1891–1907. In addition to the correspodenvce some personal meetings between Pavlyk and Lesia Ukrainka took place mostly in Lviv (there were at least 8 of them) - in January and March 1891, June 1894, August 1895, April and November 1901, October 1902, June 1903. Lesya Ukrainka and Pavlyk were close together not only due to their common interests in public and literary affairs, but also due to common environment, especially her ties with the family of her uncle Mykhailo Drahomanov, thanks to which she often acted as a communicator between her uncle and his congener M. Pavlyk. In the nature of friendly relationship between Lesia Ukrainka and Mykhailo Pavlyk, even in their business correspondence, there is a special empathy, trust, psychological, emotional and ideological understanding. Pavlyk belonged to the circle of closest people in Lesya's entourage, just as she played the role of a soul confidante and a colleague in his life. The most important vectors in Lesia Ukrainka's relations with M. Pavlyk were the activities of the Ruthenian-Ukrainian Radical Party, Lesia's financial support from radical journals of Naddnipryanshchyna, perpetuation of memory and publication of Mykhailo Drahomanov's written legacy, Lesia Ukrainka's creative cooperation and publishing in the journal «Narod», common views on the format of women's edition. |
