Lin et lignes retissés : De la réappropriation de l’histoire dans « Cloth » de Rita Duffy et Paul Muldoon
| Autor: | Christelle Seree-Chaussinand |
|---|---|
| Přispěvatelé: | Centre Interlangues : texte, image, langage [Dijon] (TIL), Université de Bourgogne (UB)-Université Bourgogne Franche-Comté [COMUE] (UBFC), SEREE-CHAUSSINAND, Christelle |
| Jazyk: | francouzština |
| Rok vydání: | 2017 |
| Předmět: |
intermédialité
Contemporary Irish literature [SHS.LITT]Humanities and Social Sciences/Literature Littérature irlandaise contemporaine Paul Muldoon General Engineering 06 humanities and the arts Northern Ireland [SHS.ART]Humanities and Social Sciences/Art and art history 060401 art practice history & theory 16. Peace & justice gaze [SHS.LITT] Humanities and Social Sciences/Literature intermediality [SHS.HIST] Humanities and Social Sciences/History regard [SHS.ART] Humanities and Social Sciences/Art and art history [SHS.HIST]Humanities and Social Sciences/History Rita Duffy 0604 arts Irlande du Nord |
| Zdroj: | Interfaces : image, texte, language Interfaces : image, texte, language, Université de Bourgogne ; College of the Holy Cross ; Université de Paris, 2017, Crossing Borders: Appropriations and Collaborations, 38 |
| ISSN: | 1164-6225 2647-6754 |
| Popis: | International audience; This paper focuses on Cloth, A Visual and Verbal Collaboration by Paul Muldoon and Rita Duffy. Muldoon’s poetic text and Duffy’s paintings were commissioned by the Millennium Court Arts Centre in Portadown in 2007 to feature in a collaborative exhibition and catalogue under the general banner “Interrogating Contested Spaces in Post-Conflict Society”. Duffy’s images and Muldoon’s prose poem – which subtly echo W.B. Yeats’s poem “Cuchulain Comforted” – are all about delineating and crossing borders between domestic and institutional spaces; personal and political spaces; garments, skin and psyche; violence and peace; etc. Duffy’s images of vestments, shirts or handkerchiefs deprived of the human bodies that gave form to them; Muldoon’s prose focusing on flax-growing, linen production and sectarian atrocities, combine and dialogue to address questions of violence, power and impotence, posture and imposture, suture and elision, etc. This paper examines how Rita Duffy and Paul Muldoon exhume the past, appropriate it for their own creative purposes and re-view it, thus redefining the contours of the political landscape of the North. It also shows how this collaborative creation is about the whole nature of looking. |
| Databáze: | OpenAIRE |
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