CONSTRUCTING AND REPRESENTING: A NEW PROJECT FOR 3D SURVEYING OF YAZILIKAYA - HATTUŠA
| Autor: | S. Tilia, M. Marazzi, L Repola |
|---|---|
| Přispěvatelé: | Repola, L, Marazzi, M, Tilia, S |
| Rok vydání: | 2017 |
| Předmět: |
lcsh:Applied optics. Photonics
Turkish Art history Cultural Heritage 02 engineering and technology lcsh:Technology 3D survey Exhibition German 0202 electrical engineering electronic engineering information engineering Workgroup lcsh:T lcsh:TA1501-1820 020207 software engineering language.human_language Representation Cultural heritage Geography lcsh:TA1-2040 Exhibit design language 020201 artificial intelligence & image processing Christian ministry lcsh:Engineering (General). Civil engineering (General) Cartography Tourism |
| Zdroj: | The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Vol XLII-5-W1, Pp 395-402 (2017) |
| ISSN: | 2194-9034 |
| DOI: | 10.5194/isprs-archives-xlii-5-w1-395-2017 |
| Popis: | Within the cooperation project between the University Suor Orsola Benincasa of Naples and the archaeological mission in Hattuša of the German Archaeological Institute of Istanbul, directed by Andreas Schachner, in agreement with the Turkish Ministry of Culture and Tourism, the workgroup of the University of Naples, has carried out, in September 2015, a first survey campaign of the whole rocky site of Yazılıkaya. The experimentation has been finalized at constructing a global 3D territorial and monumental model of the site, capable that is, through the application of differing scanning procedures, according to the different components (topography, rocky complex, the cultural spaces therein, complex of sculptural reliefs, inscriptions accompanying the divine representations), of virtually reproducing in detail, for safegaurd, exhibition and study purposes (in particular from an epigraphical and historic-artistic point of view) all the aspects characterizing the artefact and not completely visible to the naked eye today. |
| Databáze: | OpenAIRE |
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