Technological evolution of ceramic glazes in the renaissance: In situ analysis of tiles in the Alcazar (Seville, Spain)

Autor: M.D. Robador, Anne Bouquillon, Philippe Walter, Jacques Castaing, Laurence de Viguerie, Jose Luis Perez-Rodriguez
Přispěvatelé: Laboratoire d'Archéologie Moléculaire et Structurale (LAMS), Institut de Chimie du CNRS (INC)-Sorbonne Université (SU)-Centre National de la Recherche Scientifique (CNRS), Universidad de Sevilla, Instituto de Ciencia de Materiales de Sevilla (ICMSE), Universidad de Sevilla-Consejo Superior de Investigaciones Científicas [Madrid] (CSIC), Centre de recherche et de restauration des musées de France (C2RMF), Centre National de la Recherche Scientifique (CNRS)-Ministère de la Culture et de la Communication (MCC), Institut de Recherche de Chimie Paris (IRCP), Institut de Chimie du CNRS (INC)-Centre National de la Recherche Scientifique (CNRS)-Ecole Nationale Supérieure de Chimie de Paris - Chimie ParisTech-PSL (ENSCP), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-Ministère de la Culture (MC)
Rok vydání: 2018
Předmět:
Zdroj: Journal of the American Ceramic Society
Journal of the American Ceramic Society, Wiley, 2019, 102 (3), pp.1402-1413. ⟨10.1111/jace.15955⟩
ISSN: 0002-7820
1551-2916
DOI: 10.1111/jace.15955
Popis: International audience; The Alcazar Palace (Seville, Spain) is famous for its ceramic decorations; 16 th century wall tiles of different typologies have been analyzed in order to relate the manufacturing process of their colored glazes to the evolving technologies of the Renaissance. Chemical and mineralogical compositions have been determined in situ by non-destructive X-ray fluorescence (XRF) and X-ray diffraction (XRD) on arista ceramics in the Cenador de Carlos Quinto, and majolica ceramics in the Palacio Gotico and the Royal oratory. The arista style belongs to the local Hispano-Moresque ceramic tradition. Majolica tiles have the complex microstructures of glazes from Italy. The two types are clearly differentiated by their typology, morphology (curved vs flat surface), and also microstructure (single vs multi-layers), glaze chemistry, and use of different coloring agents. Moreover, we found different glaze chemistries in the investigated majolicas, which correspond to different artists and/or practices.
Databáze: OpenAIRE