Overview of Generative Processes in the work of Brian Eno
| Autor: | Rita Gradim, Pedro Duarte Pestana |
|---|---|
| Přispěvatelé: | Portuguese Catholic University, Messina, Marcello |
| Jazyk: | angličtina |
| Rok vydání: | 2021 |
| Předmět: |
[SHS.LITT] Humanities and Social Sciences/Literature
[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts [SHS.HISPHILSO]Humanities and Social Sciences/History Philosophy and Sociology of Sciences [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts [SHS.LITT]Humanities and Social Sciences/Literature [SHS.HISPHILSO] Humanities and Social Sciences/History Philosophy and Sociology of Sciences [SHS.HIST] Humanities and Social Sciences/History [SHS.LANGUE]Humanities and Social Sciences/Linguistics [SHS.GENRE] Humanities and Social Sciences/Gender studies [SHS.HIST]Humanities and Social Sciences/History [SHS.GENRE]Humanities and Social Sciences/Gender studies [SHS.LANGUE] Humanities and Social Sciences/Linguistics |
| Zdroj: | 11th Workshop on Ubiquitous Music (UbiMus 2021) 11th Workshop on Ubiquitous Music (UbiMus 2021), Sep 2021, Matosinhos, Portugal. pp.45-56 |
| Popis: | Brian Eno is a famous a musician, producer and artist known for his endeavors in rock music who has devoted the latter part of his career to ambient and generative work. There are a few publications regarding his work (Albiez & Pattie, 2016; Sheppard, 2009; Tamm, 1988), but they do not focus exclusively on his generative processes. The only paper that details Eno’s generative music only addresses the concepts of generative music and describes Eno’s apps (Marshall & Loydell, 2017). The paper focuses more on his apps and it does not present a detailed correlation between his background/ influences to his work. This paper bridges that specific gap, by detailing Eno’s school background, his influences, generative processes and how he moved on from traditional to more technological approaches. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
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