Parure et critique sociale : à propos de feuilles en éventail de la première moitié du XVIIIe siècle

Autor:	Georgina Letourmy-Bordier
Rok vydání:	2001
Předmět:	appearance customs fan fashion. Theatre business.industry media_common.quotation_subject Subject (philosophy) Aristocracy (class) Art Social class Clothing business Everyday life Humanities media_common Theme (narrative)
Zdroj:	Histoire de l'art. 48:53-65
ISSN:	0992-2059
DOI:	10.3406/hista.2001.2925
Popis:	Often decried by moralists, fashion and women are the subject of three fan sheets dated between 1730 and 1734, and preserved in the Print Department of the BnF (formerly in the Richelieu collection) These etchings, conceived as «trompe-l’œil », associate songs, puns and pictures, suggesting a theme given by their titles : «La Coquette », L’ Allure ». Through references to the theatre or religious events appear some hints to dissolute life. In a general way, usurping of clothes from another social class is strongly condemned. Dress becomes a mask that anybody can use in everyday life, to the detriment of high society. Therefore it is an attack against actresses and financiers, probably from the aristocracy and, particularly, from circles belonging to the second «préciosité ». Letourmy-Bordier Georgina. Parure et critique sociale : à propos de feuilles en éventail de la première moitié du XVIIIe siècle. In: Histoire de l'art, N°48, 2001. Parure, costume et vêtement. pp. 53-65.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_dedup___::360c35caa9766093cb45a481c8494026 https://doi.org/10.3406/hista.2001.2925 Zobrazit plný text záznamu