Autorstvo u hrvatskim zakonima o autorskom pravu od 1846. do 2007. godine
| Autor: | Zoran Velagić, Ines Hocenski |
|---|---|
| Jazyk: | chorvatština |
| Rok vydání: | 2015 |
| Předmět: |
Croatia
autor Hrvatska copyright act author copyright work copyright legislation autorsko djelo Legislation ComputingMilieux_LEGALASPECTSOFCOMPUTING Intellectual property Public domain autorsko pravo Political science Publication Law and economics business.industry SOCIAL SCIENCES. Information and Communication Sciences lcsh:Auxiliary sciences of history lcsh:Z lcsh:Bibliography. Library science. Information resources zakon o autorskom pravu ComputingMilieux_GENERAL Expression (architecture) Work (electrical) Content analysis Law lcsh:C business DRUŠTVENE ZNANOSTI. Informacijske i komunikacijske znanosti Period (music) |
| Zdroj: | Libellarium : časopis za povijest pisane riječi, knjige i baštinskih ustanova Volume 7 Issue 2 Libellarium: Journal for the Research of Writing, Books, and Cultural Heritage Institutions, Vol 7, Iss 2, Pp 231-252 (2015) Libellarium : časopis za istraživanja u području informacijskih i srodnih znanosti |
| ISSN: | 1846-8527 1846-9213 |
| Popis: | Cilj je rada istražiti i prikazati poimanje autorstva u zakonima kojima je na području Hrvatske u razdoblju od 1846. do 2007. godine regulirano autorsko pravo, s posebnim osvrtom na koncepcije autora i autorskog djela te trajanje autorskih prava. Metodom analize sadržaja istraženo je 17 propisa (zakona, ispravaka, nadopuna), a analizom rezultata pokušava se dati uvid u kulturološke i sociološke dimenzije autorstva u navedenom razdoblju. Posebna je pozornost pridana definicijama autora i autorskog djela, primjerima autorskih djela i iznimkama u trajanju autorskog prava za različite vrste autorskih djela. Analizirani su propisi, budući da u dostupnoj literaturi nije pronađen njihov sustavniji prikaz, u prvom dijelu rada ukratko sadržajno opisani te su izdvojene važnije odredbe koje ukazuju na položaj autora i njegova djela. U analizi i zaključku daje se sustavan pregled navedenih koncepcija s posebnim osvrtom na odnos zakona prema novim tehnologijama i umjetničkim formama jer taj odnos svjedoči o širenju opsega pojma autorsko djelo. Rad dokazuje da se temeljne percepcije autora, njegova djela i njihovih odnosa u analiziranim zakonima nisu uvelike mijenjale. Svi zakoni navode primjere autorskih djela, a od 1957. navodi se i definicija prema kojoj je autorsko djelo svaka duhovna (kasnije intelektualna) tvorevina. Koncepcija autora neraskidivo je vezana uz stvoreno djelo. Iz primjera autorskih djela razvidno je da postoje ona sa stalnim statusom (npr. književna, glazbena, umjetnička) i ona koja slijedom razvoja tehnologije i novih mogućnosti umjetničkog izričaja tek postaju autorska djela (fotografije, film, računalni programi i sl.). Proces postajanja autorskim djelom često je razvidan iz odredbi o trajanju (imovinskih) prava autora. The aim of this paper is to investigate and present concepts of the author and his/her copyright work in copyright legislation that entered into force in Croatia from 1846 to 2007. 17 legal documents (acts, corrigenda, amendments) were investigated using the content analysis method. The analysis of the results gives an insight into various cultural and sociological dimensions of authorship in the given time-frame. Special attention was paid to definitions of the author and his/her copyright work, examples of copyright works and exceptions related to the duration of copyright for different kinds of copyright works. As there had been no systematic overview of such legal documents in the available literature, they were briefly described in the first part of the paper, highlighting the important articles that stress the role of authors and their copyright work. In the analysis and summary we provide a systematic overview of the main concepts, with a special review of copyright laws in relation to new technologies and artistic forms: it is their relationship that testifies to the complexity of the term 'copyright work'. The paper shows that the basic perception of the author, his/her copyright works and their relations in the analysed copyright legislation has not changed significantly during this period of time. All legal documents refer to the examples of copyright work, and in 1957 a definition of copyright work was included, according to which copyright work is every spiritual (later referred to as intellectual) creation. The concept of the author is strongly linked with the concept of author's copyright work. Various examples of copyright works allow us to see the difference between works that are permanent (e.g. literary works, music works, art works) and works that are yet to be protected by copyright thanks to the development of technology and new features of artistic expression (e.g. photography, movies, computer programs). The process of getting copyright is reflected in articles that regulate the duration of copyright. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
|