Tecnología digital y cine español contemporáneo (2000-2010). En busca de la modernidad perdida
Autor: | Monterrubio Ibáñez, Lourdes |
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Přispěvatelé: | Universidad Complutense de Madrid = Complutense University of Madrid [Madrid] (UCM), Monterrubio Ibáñez, Lourdes |
Jazyk: | Spanish; Castilian |
Rok vydání: | 2017 |
Předmět: |
Pensamiento cinematográfico
Contemporary Spanish cinema [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts modern cinema Modern cinema [SHS.ART]Humanities and Social Sciences/Art and art history Modernidad cinematográfica Cine español contemporáneo [SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts Tecnología digital Hibridación Digital technology [SHS.ART] Humanities and Social Sciences/Art and art history Cinematic thinking digital technology Hybridization hybridization ComputingMilieux_MISCELLANEOUS cinematic thinking |
Zdroj: | idUS. Depósito de Investigación de la Universidad de Sevilla instname Comunicación. Revista Internacional de Comunicación Audiovisual, Publicidad y Literatura Comunicación. Revista Internacional de Comunicación Audiovisual, Publicidad y Literatura, Faculdad de comunicacion,Sevilla, 2017 |
ISSN: | 1989-600X |
DOI: | 10.5281/zenodo.7782338 |
Popis: | Digital technology has allowed the development of a contemporary cinema that has freed itself from the conditioning of analog cinema. This new technical reality makes possible the recovery of some of the artistic concerns of modern cinema around three of its defining characteristics: the hybridization between documentary and fiction, the capture of time and the materialization of cinematic thinking. The contemporary digital modernity is configured as a transversal phenomenon that runs through the spaces of non-fiction, fiction and experimental cinema. This article aims to analyse the first manifestations of this new digital experience in Spanish cinema. Contemporary Spanish cinema, digital technology, modern cinema, hybridization, cinematic thinking. |
Databáze: | OpenAIRE |
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