Combination of noninvasive imaging techniques to characterize pigments in Buddhist thangka paintings
Autor: | Carlo Sabbarese, Laurence de Viguerie, Jessica Brocchieri, Marion Boyer |
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Přispěvatelé: | Università degli studi della Campania 'Luigi Vanvitelli', Laboratoire d'Archéologie Moléculaire et Structurale (LAMS), Institut de Chimie du CNRS (INC)-Sorbonne Université (SU)-Centre National de la Recherche Scientifique (CNRS), Brocchieri, Jessica, Viguerie, Laurence, Sabbarese, . C., Boyer, Marion |
Rok vydání: | 2020 |
Předmět: |
Thangkas
Noninvasive imaging Hyperspectral imaging media_common.quotation_subject engineering.material [SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museology 01 natural sciences [CHIM.ANAL]Chemical Sciences/Analytical chemistry 0103 physical sciences Brochantite 010306 general physics Spectroscopy Remote sensing Conservation treatment media_common Painting Azurite identification and mapping of pigments 010401 analytical chemistry Art 0104 chemical sciences Characterization (materials science) Thangka visual_art visual_art.visual_art_medium engineering MA-XRF |
Zdroj: | X-Ray Spectrometry X-Ray Spectrometry, Wiley, 2020, pp.1-12. ⟨10.1002/xrs.3189⟩ |
ISSN: | 1097-4539 0049-8246 |
DOI: | 10.1002/xrs.3189 |
Popis: | International audience; Scanning macro-XRF, XRF point measurements and hyperspectral reflectance imaging in the visible and near-infrared range were combined to characterize the pigments of a Tibetan painting. The complementary use of the different investigation techniques allowed us to (i) clearly identify the pigments used by the artist, (ii) strengthen the few data present in historical and contemporary sources and (iii) provide data necessary for any accurate conservation treatment of the painting. The proposed methodology allows an in-depth characterization of the materials used in thangkas, with the identification of all the pigments used by Tibetan artists, as shown by the analyses of reference samples. In the present study traditional pigments, commonly cited in historical sources, were identified such as vermilion, minium, orpiment and azurite, but also more unusual compounds such as brochantite and antlerite (in blue/green areas). Elemental distribution images confirmed that some parts of the thangka were restored, without taking into account the original pigments or the original design. Underlying annotations and a carbon black under-drawing were highlighted by the application of near-infrared hyperspectral imaging technique, which proved to be particularly useful for the study of such paintings. |
Databáze: | OpenAIRE |
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