| Popis: |
In Francesco Casetti’s pragmatist theory, enunciation becomes entirely a matter of deictic point-of-view configurations between pronominally defined positions of “I” “you” and “he.” Casetti turns the negativity of the speaking subject into a performative speech act. In contrast to Casetti, the late Metz comes closest to the original impulse of Oudart: against the presentism of Casetti’s deictic model, Metz pleads for the impersonality of the instance of enunciation similar to that of writing. However, Metz tends to allow enunciation and text to fall into one another despite their alleged splitting. The next step is a critique of Godard’s political modernism from the perspective of suture theory. I refer to his use of the paradigmatic selfreflexive figure of the “look at the camera” to explain that Godard remains caught in the deictic addressing of spectator, author and apparatus. |
