| Popis: |
This article outlines a collaborative enquiry between a dancer and a poet. It considers some past and presentcollaborations between poets and dancers before framing the authors’ interest in the traditions of NorthAmerican postmodern dance and European Physical Theatre. Utilizing Daniel Stern’s theory of vitalitydynamics and his interest in interdisciplinary artistic collaboration, the authors consider some key aspects oftheir creative work in the light of these ideas, focusing in particular on the usefulness of the concept of syntaxfor reflecting on the interrelation between language and movement. |
