Абсолют, ідея, ідеал у філософській традиції

Autor: Illarion Lehenkyi
Rok vydání: 2019
Předmět:
Zdroj: Культура і мистецтво у сучасному світі, Vol 0, Iss 20, Pp 137-146 (2019)
ISSN: 2616-423X
2410-1915
DOI: 10.31866/2410-1915.20.2019.172418
Popis: The aim of the research is to explain the category of the «absolute» in philosophicalreflection as an ultimate goal of culture work and art. The object of the scientific researchis the unity of philosophical and cultural reflection; the subject of the scientific research isthe category of the “absolute” in philosophical reflection. The methodology of the researchis based on the cultural-historical reconstruction of the absolute as an unconditional,unrestricted principle, as a philosophical category, which determines the basis of theuniverse, the fullness of being and the perfection of the world. For this purpose, methods ofanalysis and synthesis, structural method, systemic and comparative approaches were used.The scientific novelty of the research is about defining the certain ontological concepts ofthe absolute as follows: the basis, completeness as a certain value metric (intensive andextensive) of perfection of the human world; the desire to achieve the highest degree ofharmony that is reflected in the unity of Man and the World. Conclusions. Consequently, wecan say that after World War II the philosophers discovered the world of existential infinityof being, when K. Yapers started to talk about metaphysical guilt, and M. Buber was moredirect, when said that the pre-distancing of man attitude to God is the basis of attitude manto man. These philosophers generate such moves of thought in philosophy, which, of course,relate to the Absolute as the Ideal. It is worth mentioning that the question of the Absoluteis infinite, as well as the question of the essence of philosophy in its tradition, but it has itscore, which is rooted in the fact that teleology as a goal-setting in human existence finds itscompleteness in the Theocentrism, in a dialogue or polylogue with the Absolute, meetingwith a great Another. The thought-meeting is phenomenologically clearly structured as theconstitution of “the I” and the world at the same time as the constitution of the Absolute.It gives hope and confusion at the same time; it helps to understand that the existenceof “the I” in another, anderssein is a certain strangeness as another “the I” of a musician,performer, composer, and philosopher.
Databáze: OpenAIRE