MODERN AND POSTMODERN LITERARY DEVICES IN MARGARET ATWOODʼS DEATH BY LANDSCAPE
| Autor: | Nechifor, Cristina |
|---|---|
| Přispěvatelé: | Silvia Manoliu Association for Anglophone Studies |
| Jazyk: | angličtina |
| Rok vydání: | 2022 |
| Předmět: | |
| DOI: | 10.5281/zenodo.7033773 |
| Popis: | The present argumentative essay looks into the gap between modern and postmodern literary devices, such as the plot, narrative technique and characters, as means of expression in Margaret Atwood's Death by Landscape. They are characterized by notions of conflict, irregularity, omissions and absences. The topic of the short novel is relevant both to the present – as the whole world is dominated by the pandemic confusion – and to the author's better understanding of postmodernism as epistemic value. {"references":["Atwood, M. 1991. Wilderness tips, Death by Landscape, New York, Doubleday. 91-111. Barry, P. 2002. Postmodernism. Beginning Theory, Manchester University Press. 61-68. Butter, M., Knight, P. 2020. Conspiracy Theory in Historical, Cultural and Literary Studies. Routledge Handbook of Conspiracy Theories, London and New York, Routledge. 28-42. Nicol, B. 2009. The Cambridge Introduction to Postmodern Fiction, Cambridge University Press. 1-16. Taylor, V. E., Winquist, C.E. 2003. Encyclopedia of Postmodernism-Routledge, London and New York, Routledge. 23-24."]} |
| Databáze: | OpenAIRE |
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