Buoying corpses up: A journey between Sunset Blvd. (1950) and Twin Peaks (1990-2017)

Autor:	Marta Lopera-Mármol, Daniel Pérez-Pamies
Rok vydání:	2019
Předmět:	SUNSET BOULEVARD THE RETURN media_common.quotation_subject Television series Art history General Medicine Representation (arts) Art Sunset BILLY WILDER CORPSE TWIN PEAKS DAVID LYNCH Narrative BODY Specific model TELEVISION SERIES media_common
Zdroj:	Comparative Cinema; Vol. 7, Núm. 13 (2019): ; 55-66 Comparative Cinema; Vol 7, No 13 (2019): Notes for a historical study of corpses as cinematographic figures; 55-66
ISSN:	2604-9821
DOI:	10.31009/cc.2019.v7.i13.05
Popis:	This article uses a comparative and hermeneutical analysis to explore thesimilarities and differences between the cinematographic work of Billy Wilder,in particular, Sunset Blvd. (1950), and David Lynch and the well-known televisionseries Twin Peaks (David Lynch & Mark Frost, CBS, 1990-1991), as well as itswidely-expected continuation: Twin Peaks: The Return (David Lynch & Mark Frost,Showtime, 2017), paying special attention to the representation of the corpse both in narrative and historical terms. The hypothesis of the authors is that the figurationof the dead contains and symbolizes a specific model of representation at the same time as it anticipates the appearance of a new one. In conclusion, the body insuspension, located in the gap between life and death, functions as a hinge between the past and the future.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_dedup___::08c0e2e7c946b549803d216e0dfb7532 https://doi.org/10.31009/cc.2019.v7.i13.05 Zobrazit plný text záznamu