Critical Appropriations of Biosensors in Artistic Practice
| Autor: | Teoma Naccarato, John MacCallum |
|---|---|
| Přispěvatelé: | Coventry University (UK), Coventry University, Extreme Interaction (EX-SITU), Laboratoire de Recherche en Informatique (LRI), Université Paris-Sud - Paris 11 (UP11)-CentraleSupélec-Centre National de la Recherche Scientifique (CNRS)-Université Paris-Sud - Paris 11 (UP11)-CentraleSupélec-Centre National de la Recherche Scientifique (CNRS)-Inria Saclay - Ile de France, Institut National de Recherche en Informatique et en Automatique (Inria)-Institut National de Recherche en Informatique et en Automatique (Inria) |
| Jazyk: | angličtina |
| Rok vydání: | 2017 |
| Předmět: |
Contemporary classical music
contemporary music Metaphor media_common.quotation_subject Ecology (disciplines) Interaction design Contemporary dance [SHS]Humanities and Social Sciences Appropriation ethico-aesthetics Biomedical sensors 0501 psychology and cognitive sciences Critical appropriation Social science 050107 human factors media_common diiraction 05 social sciences interaction design 06 humanities and the arts Art 060202 literary studies biosensors Aesthetics 0602 languages and literature Discipline contemporary dance |
| Zdroj: | MOCO 2017-4th International conference on movement and computing MOCO 2017-4th International conference on movement and computing, Jun 2017, London, United Kingdom. ⟨10.1145/3077981.3078053⟩ MOCO |
| Popis: | International audience; In this article we discuss the ethical and aesthetic implications of the appropriation of biomedical sensors in artistic practice. e concept of cross-disciplinary appropriation is elaborated with reference to Guattari's ethico-aesthetic paradigms, and Barad's metaphor of diffraction as methodology. In reviewing existing artistic projects with biosensors, we consider ways in which the recontextualization of technologies, and likewise techniques, can both propagate and violate disciplinary expectations and approaches. We propose that by way of critical appropriations of biosensors in artistic practice—that is to say, de-and re-contextualizations of biosensors that acknowledge the shift of ecology and epistemology—artists have a vital role to play in troubling reductive representations of bodies, and furthermore , destabilizing the ethico-aesthetic boundaries of differently constituted disciplines. |
| Databáze: | OpenAIRE |
| Externí odkaz: |
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