| Popis: |
This essay examines the labyrinthine exhibition and its recent emergence as an identifiable exhibition genre. Consideration of what a labyrinthine exhibition actually is, understanding its origins, mapping even a partial corpus, and plotting a provisional history allow us to engage with questions about genre formation and reformulation more generally. To that end, what follows is a discussion of terminology, canon formation, and knowledge production with regard to the labyrinthine exhibition and how new exhibition genres are constituted. |
