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Introduction Part I: Eliot and Popular Musical Culture A Jazz-Banjorine, not a Lute:Eliot and Popular Music Before the Waste Land. David Chinitz Culture, Race, Rhythm: Sweeney Agonistes and the Live Jazz Break. Kevin McNeilly Protective Colouring: Modernism and Blackface Minstrelsy in the Bolo Poems. Jonathan Gill Thinking With Your Ears: Rhapsody, Prelude, Song in Eliot's Early Lyrics. John Xiros Cooper Part II: You Are The Music Eliot's Impossible Music, Brad Bucknell Complex Intimacies: The Music of Four Quartets. George D. Gopen Eliot's Ars Musica Poetica: Sources in French Symbolism. John Adames Part III: Eliot and the Composers The Pattern from the Palimpsest: Convergences of Eliot, Tippett and Shakespeare. Suzanne Robinson 'My God, what has sound got to do with music?': Interdisciplinarity in Eliot and Ives. J. Robert Browning Orchestrating the Waste Land: Wagner, Leitmotiv, and the Play of Passion. Margaret E. Dana A Tale of Two Artists: Eliot, Stravinsky and Disciplinary (IM)Politics. Jayme Stayer |
