The cinema of Sáenz de Heredia and the transition (1969–75): Images of women and the dialectics between tradition and modernity

Autor:	Carmen Ciller, Manuel Palacio
Rok vydání:	2012
Předmět:	Dialectic Successor cardinal Visual Arts and Performing Arts business.industry Communication Modernity media_common.quotation_subject Philosophy Art history Dictatorship Movie theater Filmography Intellect Religious studies business Relation (history of concept) media_common
Zdroj:	Studies in Hispanic Cinemas. 8:51-67
ISSN:	2040-0608 1478-0488
Popis:	This essay presents an overview of the films that Saenz Heredia made when his idol, Francisco Franco, had already appointed his successor and the machinery of the transition conceived by the dictatorship was already in motion. In the six years spanning the second half of 1969 and November 1975, Heredia released ten feature length films, more than a quarter of his entire filmography. This essay will take a close look at his filmography in relation to two thematic poles: images of women and the dialectics between tradition and modernity and, arising from these themes, the unprecedented appearance of new social subjects in Spanish cinema. © 2011 Intellect Ltd Article.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::e68e363957b6c2fe5235378502ab592c https://doi.org/10.1386/shci.8.1.51_1 Zobrazit plný text záznamu