| Popis: |
This chapter connects the growth of the American starring system in the 1830s to the expansion of trans-Appalachian markets and the popularization of new female-centered repertoire from Europe. The national reach of “big stars” like Ellen Tree and Celeste Elliott created the context in which women and girls pursued starring careers by introducing new breeches roles in melodramas and English opera and dance featuring female spectacle. The case study of St. Louis, Missouri, demonstrates how western theaters depended upon recruiting stars even as managers and critics remained ambivalent about some of this new entertainment. Although they did not always enjoy professional autonomy, starring women ensured the economic viability of western theater while using these markets to expand their repertoire and renown. |
