Jordan Peele’s Get Out and the Mediation of History

Autor:	Susan Scott Parrish
Rok vydání:	2021
Předmět:	Cultural Studies Gender Studies Sociology and Political Science General Arts and Humanities Mediation Psychology Social psychology
Zdroj:	Representations. 155:110-138
ISSN:	1533-855X 0734-6018
DOI:	10.1525/rep.2021.155.5.110
Popis:	In its attention to the undead state of American slavery, Jordan Peele’s film Get Out (2017) appears to fulfill Stephen Best’s diagnosis of a “melancholy historicism” in recent Black cultural production. But instead, the film draws viewers into a virtual experience—and potential analysis—of the roles of both technological and environmental media (from TV, film, and cellphones to housing, ceramics, and cotton) in perpetuating, or disrupting, Black captive kinship to a state of originary loss.
Databáze:	OpenAIRE
Externí odkaz:	https://explore.openaire.eu/search/publication?articleId=doi_________::e4ca42d06afe72f7b3ca6a32b502869f https://doi.org/10.1525/rep.2021.155.5.110 Zobrazit plný text záznamu